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Archive for January, 2010

Replicating Nature

29 Jan

To those of you who are still enduring a frigid winter, I apologize for this photo –

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In Anaheim, we still aren’t quite done with Fall yet, as evidence by these leaves I picked up on the way to the studio yesterday evening.  They came from two trees in my side yard that still have a lot of leaves.  Although the leaves are finally starting to fall fast and furious, it looks more like October in my yard, than late January.  The biggest leaf is particularly striking.  Notice the dots of red – if we hooked a leaf like that I suppose everyone would just assume that we used artistic license for the color scheme.  It would be easy, however, to replicate this leaf with a pancake dye application.  While I did not have time to mix up any dye last night to come up with an illustration, here is a piece of wool dyed by that technique.

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When I dyed this wool, the soaked piece of wool was laid flat in a pat.  Different colors of dye were mixed up, then spooned on to get the look I wanted.  If dyeing the spotted leaf shown above, my dye colors would have been yellow, gold, brown and a red.  On a piece of wool 4 times longer than the leaf, I would have replicated the sections with my dye:  brown edge, gold area with red dots, bleeding to mostly gold > yellow, with brown on the edge.  (This technique is described in the category section.)  Of course, once everything was done, the wool would have to be hooked in sequence to keep the color fields together.

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Although this is not supposed to be the leaf … or a hooked example of the wool shown above, you can see how the wool colors on another piece of pancake dye stayed together when the wool strips were hooked sequentially – in the order of how they were cut.  It is a great technique that lets you paint your wool with dye.

I am spending all my free time this weekend finishing up the studio makeover … so I can show you the finished product on Monday.

 

Cleaning House

28 Jan

This week was probably not the best time for a studio overhaul.  However, circumstances came together where they produced a situation that could either be viewed as providential timing or as the clutter was too high and something had to go. Although I work hard to keep things efficiently organized, I am always coming to the point where I need a bit more room.  In particular, room for projects in progress and things needed to supply web store shoppers with what they need.

While hooking the other day on the Double Cross pattern, it suddenly dawned on me that I was not using everything I had in the studio to the best of its ability because of arrangement.  There were out crops – things sticking out on both sides of the room, which ate up space and complicated traffic flow.   To make matters worse, my desk area was placed against a perfectly good metal shelving unit, greatly reducing its value as a storage space.   Long story short, I did a major move around, relocating several key elements.

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This may not look like much to you, but by relocating that one metal-shelving unit from the other side of the studio to this side, and adding 3 more shelves, I have created a spot for 16 more storage tubs and boxes of books. (My tubs are those black, restaurant bus-boy tubs.)   Now that the desk can go flush to the wall on the other side, I have gained a good additional 5 feet of floor space down the middle of the studio since there are no out-crops on either side.   This made an immediate improvement as tubs of wool and projects have been stacked on each other in a very haphazard fashion all over the studio.  While I can take a lot of mess when it piles up in the midst of a creative project, mess impedes my ability to start new projects.   Now I can easily locate anything being stored.    There are still a few folding tables protruding out from the shelving wall, but they have been relocated to the very opening of the garage, giving me much more working space on that side of the studio.  A 4 drawer file cabinet was also removed from this spot to the other side so it sits directly across from the tables. Unlike their previous location further in on the side, they make no negative impact at all on floor space. This impulse move only confirms my original decision to go with adjustable metal shelving – they move easily, adjust easily and can be expanded with more shelves without much work or expense.

I would show you the other side, which is now minus the out-crop of desk and  shelving unit on that side … but will wait until every thing in the middle is put away.  At least, it now has a place to go … when I get the time to put it there.  The overhaul has made a lot of improvement … but is not over yet!

 
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Posted in Studio

 

International Information

27 Jan

This morning, as I make my way to the office, I will drop my 3-year registration for TIGHR in the mail.  TIGHR (The International Guild of Handhooking Rugmakers) begins a new, 3-year cycle this month, that will eventually culminate in the next big conference in Australia, 2012 … and I want to be a part of it.

In case you don’t know what TIGHR is all about, here is their purpose statement:

The purpose of TIGHR shall be to promote international interaction among rughooking artists, to provide opportunities for exchange of ideas and information and to encourage exploration into tradition, culture, and history of rug making techniques.  The policy is to share and enjoy, rather than judge each other’s work.  Every three years a new Board will be elected and be responsible for continuity of the guild.

So far, TIGHR has traveled to England, Canada, the United States, Wales and now, on to Australia!

While you can get all of this information on the TIGHR website, what you may not know is some of the particulars about registration –

Since leadership from the host country keeps the books for the 3-year period leading up to the next conference, they like to receive registrations in their own currency.  To make it easier for US fiber artists to join, Rose Kanusky, from San Antonio, Texas, has agreed to organize a group payment. US registrants will still need to fill out a TIGHR form, but send it to Rose, along with a check for the registration fee made out to Rose Kanusky, instead of sending a bank draft and their form to Australia.   Once collected, Rose will forward all the money and registration forms on to the TIGHR Board in Australia. (If other national groups have a way to expedite registrations from their country, pleas let me know so I can pass on that information.)

Besides being a part of a great international group of fiber artists, the 3-Year membership also entitles the registrant to receive the TIGHR Newsletter.  If you are willing to receive the newsletter via email, the cost for all 3 years is $60 US.  If you want a hard copy, it is $80 US.  If you want to be a part of TIGHR, please mail your form and check so that Rose receives it by February 4, 2010.

To make it easy for you to find and print the form, as well as Rose Kanusky’s address, a button has been added at the top of this page.  It is called TIGHR . Remember, make the checks payable to Rose Kanusky so she can cash them for the group payment.  If you have any questions about this process or the date, contact Rose at rkanusky@elstonpress.com You can also read more about TIGHR on their site at  http://www.tighr.net/

Reasons why I am supporting TIGHR

1.  I want to promote rug hooking in Australia

2.  I want to promote rug hooking around the world

3.  The Australian rug hookers I have met in person, or on the Internet, are enthusiastic fiber artists worthy of our support.

4.  If I go to Australia, perhaps I can see wild flocks of parakeets!

 
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Posted in TIGHR

 

Hooking Corners

26 Jan

Since I am working on a version of the Double Cross pattern, it means I am spending a lot of time hooking corners.

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Although there are different ways to hook a corner, I usually do this method:

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1.  As you hook the line leading up to the corner, hold the hook at a right angle to that line/ditch being hooked so that the loops will all lay the same direction.

2.  While hooking the line, use whatever loop/skip sequence that is appropriate to the cut being used.   However, for the last 4 holes leading up to the actual corner, do not skip any holes – this will cause the end of the row of loops to be crowded over.  Make the last loop of that line in the corner hole, all the while maintaining a position so that the hook is at a right angle to that original line.

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3.  To turn the corner, change the position of the hook so that it points across the new line at a right angle.  Skip the first hole of the new ditch, pulling up the first loop in the second hole.  Hook 2 or 3 more holes in that ditch without skipping and holes.  In effect, both side of the corner have been crowded so as to make a full, complete, corner.

If all of that seems a bit confusing, I do happen to have a free video about corners on You Tube.  While it is not as complete a demonstration as what is on the Internet Rug Camp, it is a better way to study the method and you can get there with this link.  To get there, Google You Tube … once there, enter Gene Shepherd. I have about 4 free videos there.

Today on the Internet Rug Camp

-More discussion on corners

- Using transition dyed wool

-A full look at my Double Cross project

- The new Corners and Colors: Double Cross video

 
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Posted in Corners

 

Flying Wool

25 Jan

On Saturday afternoon, Flying Geese Fabric, in old town Tustin, California, invited me for a book signing at one of their “Trunk Shows.”  (Buttonwillow Desgins – makers of handmade folkart and patterns designed especially for wool fabric – were also there.)  As I had never been to a trunk show, I wasn’t sure what to expect.  Of course, what they really wanted was for me to bring over all my wool, which I was more than happy to do. With quilters increasingly using wool for their projects, it was an acquaintance I was happy to make, particularly when my wool started  flying out of the door!

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I also brought along my frame and current project, which allowed me the opportunity of giving demonstrations every so often.  (Notice, I am very passionate about communicating with this poor lady who asked me about rug hooking.)  It was a good event for several reason, not the least being that  I signed up nearly 20 people who want information about hooking lessons.  Of special interest to me were the  blog lurkers I had never met who regularly attend events at Flying Geese.  They read these posts most days, some even have rug kits but don’t hook … as of yet.  Now, I know who they are!  (Special thanks go to Emily Gayle – quilter, rug hooker, blog reader, IRgCamper & good friend – who showed up to lend support and take a few photos.)

Promoting our art form is an ongoing passion, which I know many of you do on a regular basis. Of course, some of you have those big PR budgets which insure splashy media coverage for the world of world of rug hooking.  Here is a great note about that very thing from Gayle Burton.

HI Gene –

I thought you’d like to see my recent small claim to fame! Last week I did a 4-minute segment about rug hooking on a local TV talk show here in Utah. It was a lot of fun – and the best part is that we’ve had about 6 women contact us who are interested in learning to hook. Gayle

http://studio5.ksl.com/index.php?nid=71&sid=9330449

Way to go Gayle!  This is a great link to share if you know someone who might be interested in learning about hand hooked rugs.

Parakeet Update:

Box #1 now has 4 eggs.

 
 

A Marbleous Thursday Night

22 Jan

While it may seem a bit premature to some, I am starting to get ready for my April trip to Australia.  Although I don’t have that much to do ahead of time, some of what I need to prepare is based on availability. In other words, the wool I need to marbleize for that set of workshops is made from wool that is no longer available from my supplier. If I don’t dye up the last bit of supply I have, and put it under lock and key right now, it won’t be there when I need it come April.

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Neither the mustard color, nor the teal, is offered any longer.  Therefore, I marbleized all I had, and then came up with a similar set of wool to create additional options that are almost as good.

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Marbleizing wool, since nothing has to be pre-soaked or mixed up to do it, is one of those easy evening projects that can be done on a whim.   The whim part is possible as long as you keep dyed yardage around, which I do. I did not plan to dye last night as it was the 3rd Thursday night hook in at the church.  However, given the current CA monsoon rains, the group decided to cancel, giving me my first free night in the studio this week.

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I do not want to be accused of being unproductive with my free time.

On Another Note

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The parakeet egg count in box #1 is now up to two!  (Excuse the focus but I have to be quick.)  While the other 3 couples have nothing to show for their amorous activities, I do sneak a peek every day to check their boxes.

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Here is a photo of the expectant couple – mother to the forefront and father to the back.

Today at the IRgC

-more information about marbleized wool

-more discussion about hooking the Double Cross

 

Thinking About the Double Cross

21 Jan

The next pattern on my list of projects to do is Double Cross, my version of a generic, antique geometric design.  It is one of those patterns that can be particularly good for using up scraps of wool.  In fact, most of the old versions I see of this rug seem to have been worked with all sorts of leftovers.

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Of course, I live with this rug, having inherited it from Miss Betty Weigle, who made it in 1959.  (It’s permanently on display, on the floor, in the second story of the studio.)  While I know she had to do a bit of dyeing in her life (I found an open Cushing pack or two in her stuff and a couple of recipes) 99% of everything she hooked was made with scraps of found wool.  After outlining the basic design of the pattern in a dark brown, she filled in each cross using various methods. (I discuss this rug a bit in one of my IRgC videos.) Notice that the stair step block always has some sort of a square in the middle. The “square” cross block usually has some sort of cross shape, or the suggestion of one … but not always.

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This version, by Emma Webber comes across as being a bit bolder, since she used black to do her outlining, as well as generally stronger colors.  Additionally, her fill has a consistently abstract quality to it, since she never repeats design elements like the generic crosses and blocks Miss Weigle used, relying on jets of color in horizontal and vertical sections.

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This rug is from the collection of Elaine Saxton.  While it is very similar to our downloaded pattern on the IRgC site, it is slightly different in that it is composed of two similar, yet different stair step crosses.  (Yes, I see the square crosses, but they are located inside of one cross shape.)  The big difference, over our other two examples, is in approach.  This artist filled one cross with the square cross and turned the other one into an arrow inspired geometric, giving the piece an entirely different feel.  It is a much more traditional geometric approach.

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This rug, from the Marion Wise collection, is made from the same pattern variation as Elaine’s rug.  However, the artist in this version added a round shape to balance out all of those corners.

All of these examples just go to show how much variation can be found in some simple stair steps.  In fact, I would encourage you to play with the basic design and see if you can come up with your own.

Today in the IRgC

More discussion about Double Cross pattern possibilities

 
 

Drying Out in the Studio

20 Jan

(Marilyn M, from MN  … Sandra N, from NH  … I need your email addresses!)

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Wool is not the only thing I let dry in the studio … which is a good thing as it is really wet right now in my part of California.

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Yesterday after 2 days of what Californians would call torrential rains (we only get about 11-15 inches of rain per year and these storms are supposed to bring 20 inches) I had to bring in my nesting parakeets before the third, big one comes today.  While parakeets are a hardy lot, this little cage is just not set up to provide the protection from wind and weather that these birds will need.  The plastic painter’s film I use for pattern making also provides them with good protection during normal, slightly windy and wet weather.  However, what we have been experiencing, and are forecasted to get, necessitates something more substantial than plastic.  (This is our equivalent to a foot of snow everywhere else.)

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Besides, it is not just the birds that need protection.  I am happy to announce we are expecting. Pair #1 produced an egg Monday night … so I suspect, since they lay every other day, that there will probably be another one in there this evening.  While boxes #’s 2, 3 and 4 don’t have any eggs as of this writing (Tuesday night) I have reason to expect more happy news in the near future.  Meanwhile, it is safe, warm and dry in the studio.

If you are wondering what this has to do with rug hooking, please remember that my birds provide a lot of artistic inspiration and, besides, they are all subscribers to the IRgC.  Of interest to all fiber artists: what will this egg be? A dip dye … a lazy swatch … transitional … or a traditional 6 value swatch?

Notice:  Over the next day or so, this site may temporarily go off line  so our web master can do some upgrades which will improve all aspects of our service.  If  we happen to be down, wait a while before returning  … We aren’t going anywhere except forward!

Today on the IRgC:

A New Screensaver

 
 

Starry Starry Dye Night

19 Jan

When dyeing mid-week, I almost always do my dyeing early in the morning.  Last night, however, after getting home from work at about 5 PM, I decided to do some dyeing before I went to bed. Since I had a 7 PM meeting, that meant I needed to get some wool in to soak ASAP.  While I was cutting up 5 yards of wool, I also started boiling a large kettle of water.  After the wool was put in the sink, to soak in hot tap water and a little synthrapol, I added the boiling water to increase the temperature and speed up the soaking process.

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By the time I left to make my 7 PM meeting, five pots of clear water were sitting on the stove, waiting for my return.  Luckily (?) church meetings almost always go longer than they are supposed to, insuring the fact that my wool had plenty of time to soak before I returned at 9:15 PM.  I hit the garage door opener and turned on the burners before bothering to close the door and turn on the light.

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By 9:25 PM, my over efficient restaurant stove brought all five kettles to a boil and I started adding dye … then wool.  It was at this time that I turned on my Josh Groban album, set up to play Starry Starry Night, which seemed to be the perfect choice for an evening dye session.  Even though it had been raining all day, by this time in the evening the sky had cleared up and the stars were clearly visible.  By 10 PM, I had gotten this far in the post when I stopped to dump out the wool to drain …

It is at moments like this when I am glad God invented spin cycles on washing machines and clothes dryers.  While I prefer to rinse and wring my wool in the old fashioned way, hanging it out on the line to dry, in a pinch, particularly when finishing up dyeing at 10:15 PM, I can make do with modern conveniences.  After the spin dry cycle worked its magic, the wool (and a couple of thick bath towels) went into the dryer.   By 11:10 everything was done … and the stars were still shining in the California sky.

(The Double Cross patterns (under patterns) and 2 by 2 monk’s cloth by the yard (tools & supplies) are now in the web store.)

Today on the IRgC

- a new version of the Double Cross pattern

- more tips on pattern transfer


 

Back To Normal In Anaheim

18 Jan

My weekend was pretty busy as we (Buddy mostly and a little bit of me) made sure that everything was up and running for the Internet Rug Camp and that subscribers had the help they needed to get registered.  Fortunately by this morning, there are the prospects of a much calmer week!  I am still surprised that people are having trouble finding the IRgC.

The site is located at http://www.geneshepherd.com/rugcamp/ if you want to stop by and take a look at the Welcome Page.  If you have questions about how to register for the Internet Rug Camp,  just drop me a note at gene@geneshepherd.com.

One of the first four videos available for viewing on the Internet Rug Camp is a demonstration on making transitional dye pieces with scraps of previously dyed wool. That video was hardly on the Internet before Heidi Kramer got out her pans and wool scraps to give it a go. Her finished product is a good endorsement for the method.

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Here is her note:

I wanted to tell you about my experience with Transitional Dyeing yesterday.  Fantastic!  I created some truly beautiful wool.  Thanks to your video, it was as easy as can be.  I have attached a photo of my results.  Since I only have an 8” square steam pan, all my pieces were about 8” long.  For pieces longer than that, I just let them hang out of the pan and then folded them back into the mix as I went along.  I love this wool!  Many Thanks – Heidi

I first saw this style of wool in a pile of pieces that Diane Phillips was using in a class at Yellow Rose of Texas Rug Camp. She told me how the process went, then also shared that she learned about it  from Claire de Roos and Nancy Mac Lennan.  (I have since had a wonderful discussion about the process with Claire over the phone.)  As soon as I got back to CA, I quickly dyed up my own pan of transitional wool and it has been a favorite method ever since.

In fact, the first pan inspired me, just in the nick of time, to come through on a design assignment deadline (Fowl Mood) for the Pattern Designs for Rug Hookers from RHM.

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If you are not a member of the IRgC, there are posts in this blog’s archieves about the process.  It is a great way to dye without dye and you should give it a try.  All one needs is a pan, dyed wool pieces, some  softening agent (Jet Dry, Synthrapol or Dawn Detergent) and a little white vinegar or citric acid.

New Things in the Store

Because it is so helpful to anyone wanting to draw a large version of the Double Cross Pattern, I have started carrying 2″ by 2″ monk’s cloth.  I also have added a couple of versions of that pattern (24″ by 44″ and 18″ square) that can be bought already drawn.

Today on the Internet Rug Camp:

- New Special Video

- some additional tips about transitional dyes

- IRgC  features later this week

-Coming soon – printed video scripts for the hearing impaired