
My morning off (Friday) was spent doing some dip dyeing in anticipation of putting a kit together for a student who will be at the Yellow Rose of Texas rug camp in a couple of weeks. This shot shows 4 sets of dip dye – each used a yard long strip of natural, light yellow and light green. I did two kettles of green, one of gold and one of beige/brown.

As with most dye methods, I like an end result that is a bit splotchy, so accordion fold my wool when doing the process. I love this recipe because it ends up with greens, golds and purples. The darker part will be used for the tail of the chicken this kit will make. I’ll do my best to take you through my process of figuring out what goes where.

Here’s the pattern: “China Hen.” The design is based on a 19th century Staffordshire china shape. Since it is a china hen, not a real one, we have no limitations as to the colors that can be used. The literal “egg and dart” border can also be interpreted a number of ways – plain, colored and/or decorated eggs. I usually draw the pattern with a mixture of those designs. My student is going to use some of my designs as well as put in some of the Faberge eggs she loves. We consulted on all aspects of the design … and then I started creating wool.

The inner background wool is a very soft sage green, spotted over with some of the colors I know will wind up in the piece – gold, rose and blue. It’s a very pretty wool that will hook up pretty neutral.

While dyeing that light wool, I also did some up with the same colors, but in a darker value. It may come in handy as shadows around the design elements, as well as be used for the inch wide border around the egg and dart section.

Here is a piece of today’s dip dye, next to the tail section of the hen. Remember, there were two other pieces of wool (over green and natural) dyed with this piece over yellow. The light /dark parts of the wool will allow each tail feather to be a bit different, as well as have the necessary highlights.

Here is a piece of “left over dyed” wool that is full of rosy sections, along with beige sections. It will not only do for the comb, using red areas, but it can also be used in sections of the body.

Much of the body can also be hooked with this brown dip dye – sections of it actually make a transition with faded out sections of the rosy piece.

A variety of solid and textured golds can be used for the basket. (I think these are a bit strong … although they are a dead on copy of the original china hen in my collection.) I also have 6 pieces of dip dye golds/beige that run the gamut between the basket colors here and the beige of the hen dip dye. Those pieces will be used in the “dart” sections and some my end up as the basket.

Don’t forget that there will be a row of colorful eggs on all four sides of this piece. While we will pick those colors out once we are together, I put in a few pieces I know will most certainly be used.
While I have discussed these colors with my student … talking about them and seeing them in person are two different things. I won’t know if they suit her until we are together. Fortunately, I always bring pile of wool with me to camps and can trade pieces if we change our minds.






























